| For more than four thousand years ago, Irish | | | | four elements; fire, earth, air, water. |
| metalsmiths have been creating celtic jewelry in | | | | The ring in the center of the Celtic cross is a |
| gold and silver and other precious metals. | | | | Celtic symbol of infinite love, specifically, the |
| Decorative Irish jewelry examples date from the | | | | endlessness of God's love. The center ring may |
| bronze age, some four thousand years ago. Many | | | | also represent a halo emanating from the Christ. |
| of these jewelry pieces were functional in nature | | | | Given the power represented in this Celtic |
| and formed decorative features to everyday | | | | symbol, it's easy to see why Celtic jewelry |
| items such as clothes brooches and fasteners, | | | | makers were so dedicated to the pristine |
| weapons and eating and cooking utensils. Celtic | | | | perfection in crafting the Celtic cross. This symbol |
| metalwork formed the basis of much of the | | | | represents the very highest ideals and aspirations |
| artwork from this period. Prized by men and | | | | of the Celts, and this piece of Celtic jewelry is |
| women alike, Celtic jewelry is a treasure among | | | | one of the most timeless. |
| possessions because of it's uniqueness in beauty | | | | The Claddagh |
| and symbolism. | | | | Another timeless piece of Celtic jewelry is the |
| Silver and gold were used by Celtic craftsmen | | | | Claddagh ring. |
| between 2000 BC to around 550 AD silver to | | | | Claddagh (pronounced klada) is an ancient village |
| make outstanding Celtic jewelry. Celtic symbols | | | | just outside Galway City in Ireland. Althought the |
| were inevitably the subject of the Celtic jewelry | | | | Celtic Tiger has left its ugly mark on the village it |
| craft, and evident in the final products as evident | | | | still retains much of its original charm |
| in modern-day examples. | | | | The Claddagh ring gets its origin from Richard |
| Ornate, symbolic, and enchanting, Celtic jewelry | | | | Joyce. Captured and taken from his homeland, |
| was (and still is) highly coveted. In fact, Celtic | | | | Joyce was held as a slave in the West Indies. |
| jewelry such as rings, bracelets, pendants, and | | | | Eventually, he was sold to a Moorish goldsmith, |
| brooches were so sought after for their beauty | | | | where Joyce learned the art of jewelry making. |
| and style that the trade of Celtic jewelry across | | | | Joyce eventually gained his freedom, and upon |
| the Mediterranean was quite successful. | | | | doing so, returned to Ireland and settled in the |
| Celtic Cross | | | | fishing village of Claddagh. Here he continued his |
| When one thinks of Celtic jewelry, the Celtic | | | | goldsmith practice by making Celtic jewelry. |
| cross may come to mind first. The Celtic cross | | | | He produced the Claddagh ring to celebrate his |
| had it's start in the British Isles, appearing primarily | | | | return home and to have a symbol for his love of |
| in Ireland. This Celtic symbol has long represented | | | | kin and country. As seen today, the Claddagh has |
| the bridge or passage between heaven and earth. | | | | become quite popular as a sign of betrothal as |
| The four arms may also be connotative of the | | | | well as friendship and love. |