| The Museum's mission is to foster within society | | | | Marina Abramovic, Willie Doherty and Paul |
| an awareness, understanding and involvement in | | | | Seawright, installations by llya and Ameila |
| the visual arts through policies and programmes | | | | Kabakov, Rebecca Horn and sculpture by Dorothy |
| which are excellent, innovative and inclusive. One | | | | Cross, Kathy Prendergast, Damien Hirst and |
| of the leading museums in Ireland, IMMA presents | | | | Stephan Balkenhol; also paintings by Francesco |
| a wide variety of art in a dynamic programme of | | | | Clemente, Tony O'Malley, Peter Doig, and Peter |
| exhibitions, which regularly includes bodies of work | | | | Halley. Major donations include a wide variety of |
| from its own collection and its award-winning | | | | modern and contemporary art, including a number |
| Education and Community Department. It also | | | | of 1930s works by Picasso, paintings by Sean |
| creates more widespread access to art and | | | | Scully, a large sculpture by Barry Flanagan and a |
| artists through its Studio and National | | | | film by Neil Jordan. |
| programmes. The current director is Enrique | | | | Education and Community Programmes |
| Juncosa, who was previously Deputy Director of | | | | An extensive range of programmes has been |
| the Reina Sofia National Museum Arts Centre | | | | developed at the Museum with the intention of |
| (MNCARS) in Madrid. | | | | creating and increasing access to the visual arts, |
| Museum Ireland: How was the Irish Museum of | | | | as well as engagement in their meaning and |
| Modern Art established? | | | | practice. The programme operates on many |
| The Irish Museum of Modern Art was established | | | | levels - with research projects, with |
| by the Government of Ireland in 1990 as Ireland's | | | | community-based programmes within the local |
| first national institution for the presentation and | | | | catchment area and with the general public in a |
| collection of modern and contemporary art. The | | | | gallery-based initiative through the provision of |
| Museum was officially opened on 25 May 1991 by | | | | Explorer. |
| the, then Taoiseach Charles J Haughey. Since its | | | | A number of programmes have been developed |
| opening the Museum has rapidly established itself | | | | for groups who wish to have contact with specific |
| as a significant and dynamic presence in the Irish | | | | exhibitions or artists, including gallery discussions |
| and international arts arena. It is widely admired | | | | and practical studio work. The ongoing primary |
| by its peers throughout the world for the range | | | | school programme creates access for individual |
| and relevance of its exhibitions, for its innovative | | | | teachers, staff groups and children. |
| use of its growing Collection, for its award-winning | | | | The Museum's Artists Work Programme, a studio |
| education and community programme and for its | | | | residency programme, is open to artists in all |
| visitor-centered ethos and facilities. | | | | disciplines and of all nationalities. Artists participating |
| The Irish Museum of Modern Art Today | | | | in the Programme make themselves as available |
| IMMA has proved to be a valuable and popular | | | | as possible to meet with visitors to the Museum, |
| addition to the country's cultural infrastructure, | | | | providing access to the process of making art |
| attracting more than 400,000 Irish and overseas | | | | and giving the public an additional layer of |
| visitors from diverse social backgrounds each | | | | experience to that available in the Museum's |
| year, both to the Museum itself and to events | | | | galleries. A series of slide talks, studio visits, panel |
| organised throughout Ireland by our National | | | | discussions and open days are organized around |
| Programme. | | | | the residencies, all of which are free and open to |
| Irish Museum of Modern Art's Exhibitions | | | | the public. |
| The Museum's temporary exhibition programme | | | | The National Programme is designed to make the |
| regularly juxtaposes the work of leading, | | | | Museum's assets, skills and resources available to |
| well-established figures with that of | | | | centers outside Dublin. Through the lending of |
| younger-generation artists to create a debate | | | | exhibitions and individual works, and the |
| about the nature and function of art and its | | | | development of collaborative projects with other |
| connection with the future. Exhibitions presented | | | | organizations, the National Programme establishes |
| at IMMA include - Francis Alÿs, Alexander Calder, | | | | the Museum as inclusive, accessible and national. |
| James Coleman, Dorothy Cross, Lucian Freud, | | | | The presentation of such a wide range of |
| Ann Hamilton, Howard Hodgkin, Juan Miró, Hughie | | | | activities offers a richly diverse experience to |
| O'Donoghue and Elizabeth Peyton. IMMA originates | | | | both general visitors and to those interacting with |
| many of its exhibitions but also works closely with | | | | the Museum on a more long-term basis. |
| a network of international galleries and museums. | | | | Museum Ireland: The home of the Irish Museum |
| The Collection | | | | of Modern Art |
| The Collection of the Irish Museum of Modern Art, | | | | As one of the leading museums in Ireland IMMA's |
| which comprises some 4,500 works, has been | | | | activities are greatly enhanced by its magnificent |
| developed since 1990 through purchase, donations | | | | building and grounds. The Royal Hospital |
| and long-term loans, as well as by the | | | | Kilmainham, the finest 17th-century building in |
| commissioning of new works. The Museum | | | | Ireland, was built in 1684 as a home for retired |
| purchases contemporary art but accepts | | | | soldiers and continued in that use for almost 250 |
| donations and loans of more historical art objects | | | | years. Its style is based on Les Invalides in Paris |
| with a particular emphasis on work from the | | | | with a formal facade and large elegant courtyard. |
| 1940s onwards. | | | | The Museum site also includes a formal garden, |
| The permanent collection reflects some of the | | | | meadow and medieval burial grounds. In addition |
| most exciting trends in Irish and international art | | | | to its striking setting, the Museum also has an |
| with lens-based work by Gilbert and George, | | | | excellent cafe and bookshop. |